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Walker
Percy
It is difficult to say if Walker Percy could exist today, or more
accurately, the idea of a Walker Percy. Physician, Southerner, writer,
semiotician, philosopher, tubercular patient, gentleman thinker
- Percy assimilated his unique background and training into a search
for congruity and order in a world of chaos and randomness.
Percy
was born in 1916 and spent much of his adolescence in Birmingham.
Tragically, affected by a family strain of depression, Walker's
father Leroy Percy committed suicide.
Financially secure, Walker Percy's mother Mattie Sue moved with
her two sons into the Greenville, Mississippi home of Will Percy.
Soon after, Mattie Sue Percy drowned in an automobile accident.
The
boys were now in the care of their learned "bachelor-poet-lawyer-planter"
Uncle Will, future author of "Lanterns on the Levee."
Walker Percy later commented, "If it hadn't been for Uncle
Will, [I] probably would have ended up a car dealer in Athens, Georgia."
After
years of wanderlust, both physical and intellectual, Percy married
and settled in Covington, Louisiana. Though a physician, he never
practiced. At thirty-one, Percy converted from an agnostic stance
to Catholicism. The days in Covington were passed in philosophical
study and reflection.
In
his early forties, Percy published his first novel, "The Moviegoer"
to critical acclaim and a National Book Award. The lead character,
Binx Bolling, sets the tone for other central characters in future
novels - the outsider searching for logic and relevance in a world
of pliable standards, empty gestures, and transparent values.
The
ideas of Walker Percy propel his fiction. In "The Last Gentleman,"
Percy's second novel, the first sentence is a clue to the story
to follow: "One fine day in early summer a young man lay thinking
in Central Park." Part of Percy's talent was in his ability
to convey ideas, and often several opposing ideas, in an interesting
narrative.
Will
Barrett is "The Last Gentleman", a Mississippian temporarily
dislocated physically in New York City and also dislocated in spirit,
subject to "spells" and "deja vus." Barrett
sometimes removes himself from life and just observes, "I'm
not well, and therefore it is fitting that I should sit still, like
an Englishman in his burrow, and see what can be seen."
Barrett
has finely tuned radar into the motives and psyches of others, almost
telepathy, but frequently becomes overwhelmed in sensations, and
cannot resist, "As a consequence this young man, dislocated
to begin with, hardly knew who he was from one day to the next.
There were times he took roles so successfully that he left off
being who he was and became someone else."
In
broad symbolism, Percy is also writing about the South's loss of
traditional identity. As Barrett tries to find a comfortable persona,
so struggles the New South. Upon Barrett's return to the South,
"The earth itself was transformed overnight, gouged and filled,
flattened and hilled, like a big sandpile. The whole South throbbed
like a diesel."
Percy
struggled all of his life to assimilate his progressively conservative
upbringing by Uncle Will, and generations of eroding traditions,
with the reforms and advances that he knew were just and overdue.
Barrett's identity was in flux; so was that of Percy's beloved South.
Geography and sense of place are central to Percy's fiction.
Percy's
sense of humor is as dry as vermouth. Whether in description ("Dead
trees shrouded in kudzu vines reared up like old women"), or
in moving the plot forward, one always has the sense that Percy
wore a wry half-smile loosely on his countenance as he wrote characters
into and out of situations we all face. A crackly dry irony is the
ink that illuminates Percy's words on the page.
Ideas
in the hands of Walker Percy entertain, perplex, fascinate, amuse,
and ultimately congeal to create a voice and fiction that remain
unique and relevant.
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