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Richard
Wright
Uncle
Tom's Children (1938)
Native Son (1940)
12 Million Black Voices (1941)
The Outsider (1953)
Savage Holiday (1954)
Black Power: A Record of Reactions in a Land of Pathos (1954)
The Color Curtain: A Report on the Bandung Conference (1956)
Pagan Spain (1957)
White Man, Listen! (1957)
The Long Dream (1958)
Eight Men (1961)
Recommended
Biographies
Richard
Wright: Daemonic Genius by Margaret Walker
Richard Wright: The Life and Times by Hazel Rowley
For
some who read what Richard Wright wrote, and read about his life,
it may seem as if he was running from something - prejudice, unfairness,
hatred, unfortunate twists of fate - as he moved from Mississippi
to Chicago to New York and finally to Paris. But Richard Wright
was too smart to think that he could outdistance the ubiquitous
frailties and limiting illogic of others. Rather, Wright was on
a search for a place that his intelligence told him could exist,
if he could just demonstrate and convince others of the possibilities.
Born
in 1908 on a plantation near Natchez, Wright's early years were
overshadowed by frequent moves necessitated by his father's abandonment
of the family and his mother's crippling stroke while in her thirties.
He lived almost entirely within himself, unreceiving of almost any
affection and uncertain of what heartbreak or humiliation the next
month would bring. Perceived as shy, in actuality he was forging
an iron will and piercing intellect.
Wright
was bold and refused to fit a stereotype. His writing reflected
reality as he saw it. His fiction was too raw for the sensibilities
of the late 1930's. Wright's manuscripts were repeatedly rejected
as biographer Hazel Rowley notes, "He knew the rejections had
more to do with the subject matter than with the quality of the
writing. It was quite clear to him that readers were more comfortable
when he portrayed black characters as victims and martyrs."
The
short story "Long Black Song" from Wright's collection
"Uncle Tom's Children," published in 1938, portrays a
proud and silently defiant black man, Silas, willing to work hard
and honestly to escape the persistent oppression of Jim Crow. Silas
leaves his wife Sarah for several days to take the cotton crop from
their small farm into town. With some of the proceeds, he buys her
"that red cloth yuh wanted" and "Ah bought ten mo
acres o land."
During
Silas' absence, the ever present and unstoppable white man violates
his home and wife. He rages; violence and killing result. As Sarah
flees into the woods after a white man, her violator, is killed,
she thinks what Wright must have thought as the world mistreated
him, "Yes, killing of white men by black men and killing of
black men by white men went on in spite of the hope of white bright
days and the desire of dark black nights and the long gladness of
green cornfields in summer and the deep dream of sleepy grey skies
in winter."
The
Northern white publishers that brought Wright to print could not
fully accept the truth of the entire message concerning race that
he put on the page. His autobiography, "Black Boy," published
in 1945, ends with Wright leaving the South for Chicago. Ending
the story here leaves a reader with the impression that Wright was
to enjoy an enlightened and freer life in the North.
It
was not until 1977, long after Wright's 1961 death in France, that
the final section of his autobiography debuted as "American
Hunger." Expurgated by his editors in 1945, Wright chronicled
the racism surrounding him in the North that eventually caused him
to leave America for Europe. Wright's truth, again against stereotype,
was uncomfortable for the Northern elite - the North, as well as
the South, had unresolved issues with race. Finally, in 1991, Wright's
entire autobiography, "Black Boy (American Hunger)," was
brought out by The Library of America in the completely restored
version as Wright originally envisioned. Sadly, Wright's entire
text brings us to the understanding that the Land of the Free was
not quite.
Wright
was always an outsider, distrustful and uncomfortable with the status
quo, a man who sought through his writing the imagined ideal of
equality on the other side of the bamboo jungle of human deceit
and weakness.
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